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Bourbon Street Sound Specifications - Current as of May 18, 2008 (May have been modified and/or improved since the above date) |
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Load in is at 6:00pm for all bands with the exception of special events
artists cleared in
advance with managment. All soundchecks/linechecks will start at 7:00pm and must be completed by 8:00pm when the doors open. All mics, DIs and stands are provided by the venue.
FRONT OF HOUSE:
1) 32x4x2 Soundcraft Spirit Live Console 1) DBX 2231 Dual 31 Band EQ 1) DBX166 Dual channel Compressor Gate 1) DBX DriveRack Stereo Processor (3-Way Stereo Crossover) EFFECTS: 1) TC Electronics M1 Digital Effects Processor (Vox) 1) Yamaha SPX-90 (Long Delays on Vox) 1) Yamaha SPX-900 (Instrument Verb) 1) Lexicon MX400 Effects Processor (Drums) PROCESSING: 1) PreSonus ACP88 8-Channel Comp/Gate (Drums) 1) Behringer Ultragraph Pro Dual 31-Band EQ (2 Kick Channels) 1) Behringer XR-4400 Multigate Pro 4 Channel Expander/Gate (Drums) 1) Behringer MDX-4600 Multicom Pro-XL 4 Channel Compressor/gate (Inst.) 4) PreSonus ACP-22 Stereo Compressor/Gates (Inst/Vox) PLAYBACK EQUIPMENT: 1) Dennon DNT620 CD/Tape Deck 1) Sony DVP-NS55P CD/DVD FRONT OF HOUSE SPEAKERS: 4) Meyers R-650 Clones (Dual 18s) powered by (1) Crown 3600 amp 4) EV Deltamax cabs with 15’s and Horns powered by (1ea.) Crown 2400 and 1200 MICROPHONES: 6) Shure SM-58 7) Shure SM-57 1) Shure PG-52 3) Shure PG-56 1) Shure SM-58 Wireless Microphone and Receiver 3) AKG C-1000 Condensers 4) ProCo CB-1 DI’s 1) DOD 260 DI 1) Rapco DB-100 DI MONITOR SYSTEM: (9 mixes – 5) Floor, 2) Sidefill and 2) Drum Monitor) 1) 40x12 Soundcraft Spirit Live Monitor Console Mixes 1 & 2: (Stage Right Floor Monitors) 1) DBX 1321 Stereo 1/3rd Octave EQ 1) QSC USA-900 Amplifier 2) Community 1-15/Horn Monitors Mix 3: (Center Floor Monitor) 1) Ashely GQ-131 Mono 1/3 Octave EQ 1) Crown DC-300A (Mono) 1) McCauley 624-2 1-15/Horn Cabinet Mixes 4 & 5 (Stage Left Floor Monitors) 1) DBX 1321 Stereo 1/3rd Octave EQ 1) QSC USA-900 Amplifier 2) Community 1-15/Horn Monitors Mix 6: 1) Behringer Ultragraph Pro Dual 31 Band EQ channel terminated in male XLR at monitor desk.
(for use with your in-ear or your powered monitor)
Mixes 7 & 8: (Left and Right Side-fill Monitors) 1) DBX 1321 Stereo 1/3rd Octave EQs 1) Crown Microtech 1200 Amplifier 2) Peavey SP-2X 1-15/Horn cabinets Mixes 9 & 10: (Not Assigned) Mixes 11 & 12: (Drum Monitor) 1) Behringer Ultragraph Pro Dual 31 Band EQ channel 1) Asley XR-4001 Stereo 4-Way Crossover 1) Crown Microtech 1200 Amplifier 2) GHS 2-Way Passive Speakers (Drum Monitor Mids and Highs) 1) Crown Microtech 2400 Amplifier 2) Peavey Dual-18 Cabinet (Drum Monitor Lows) Cue Mix: 1) Crown DC-300A (Mono) 1) Ross 1-15/Horn Cabinet (Cue Monitor) 1) Yamaha P2250 Amplifier (Spare) 1) Behringer Composer 2-channel comp/gate 1) Valley Gatex 4-channel gate 1) Alesis MidiVerb II LIGHTING SYSTEM: 1) Light-Puter C-1202 Lighting Controllers (24 Dimmers) 1) Litetronics TL3216 Controller (12 Dimmers) 18) Par 56 500W MFL Fixtures 22) Par 64 500W MFL Fixtures 14) “Rain” Lights (divided into 2 groups on 2 dimmer channels) 1) “Disco Fever” Light 4) Strobes 1) Martin Magnum 2000 Fog Machine (control at lighting position) 1) Alt Follow Spot 1) Elation DMX Operator controller 2) American DJ 250 Spot fixtures VIDEO SYSTEM: 2) Video Cameras: 1 located over drums 1 front of stage from FOH position 2) Projection Screens and projectors (One on either side of the stage) Live Broadcast System: (Audio Only) Sam II Broadcast software linked to www.KWTFWorldwide.com Live Recording System: (Audio Only) Adobe Audition run in 2-Track Mode 24-Tracks of ADAT-XT Available by special request. |